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After producing the world's most renown series of compressors, the
task of producing a new compressor worthy of our reputation would be
daunting for most engineers. Not for dbx®. Our engineers know audio
like no one else in the world. Now the fruits of th...
The Rane Model DC 24 Dynamic Controller is a two channel Compressor,
Limiter, Expander Gate system with very unusual attributes. The DC 24
offers unprecedented control of its operating parameters as well as a
built-in 24 dB/octave Linkwitz-Riley Crossover...
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or
studio gives you more dynamic control to help create a more polished,
professional sound. Having compression in your audio chain gives you
the ability to smooth out uneven levels, add s...
Behringer's Composer MDX 2100 gives you superb dynamic control, both
live and in the studio. It's ideal for increasing vocal energy and
penetration in the mix; and prevents system overload.
offers five distinct dynamic processing functions: full...
The 166A provides two channels of noise gating, OverEasy® or classic
Hard Knee compression and PeakStop® limiting to give complete control
of signal dynamics to studios, sound reinforcement companies,
musicians, or anyone who needs quality processing quic...
The DS501 is a sophisticated dual channel noise gate with fully
tuneable 'Peak Punch' incorporating a number of features pioneered by
Drawmer, which are invaluable to the sound engineer, and not found on
conventional noise gates.
• 'Tuneable' Peak Punch •...
The 422 is a singular solution for controlling unpredictable stereo
(or monaural) audio levels in a wide variety of audio systems.
Application environments include broadcast, recording, tape
duplication and installed foreground and background systems just...
MDX 2100 gives you superb dynamic control,
both live and in the studio.
It's ideal for increasing vocal energy
and penetration in the mix; and
prevents system overload.
Composer offers five distinct dynamic processing functions:
Most compressor/gates provide less than musical compression, coupled
with gating that swallows transients—or closes early, cutting off
decay and reverb tails. The superb engineering in the 166XL ensures
that both its compression and gating provide versati...